Cel shading has alway been a process that traditionaly only the big budget studios have been able to implement succefully. Not because it a difficult technique, on the other hand, it's quite easy, but  it is the tideous and time consuming nature of performing such a repetitive task that in turn translates to financial costs. It is this factor that often results in studios deciding to just do without it as opposed to spending the extra amount of time and money it would take to get the job done.

This balance of quality versus budget is often most apparent on commercial animation where a series created for television, when per episode, the budget is far less that the budget available to, say, the cinematic release of a film based on the same series.

The Jetsons: TV                Hannah Barbera

The Jetsons: Movie                Hannah Barbera

I developed Toon Titan because I needed a way to speed up this process in my own workflow. I wanted my cartoons to look better without actually spending all that extra time dealing with tideous and repetitive task and instead focus on just the artwork itself.

Toon Titan virtually eliminates the time spent on such tasks and allows for feature film quality ink and paint to be performed on something as Macromedia Flash based animation.

Wether you are a professional animator or cartoonist looking for a way to dramatically improve the way you work, or a complete novice simply looking for a way to make your work look more professonal and stand out more. Toon Titan is guaranteed to give your workflow a 180 degree makeover for the better.