What???
This is the 3rd album and it sucks. It is broke and what is a Jigga? outta here with that crap.
Young, Rich and Dangerous
Young, Rich and Dangerous~ Kris Kross is a good second album that shows that the guys in Kriss Kross are definetely growing up and adding a very much needed edge to their rapping, music and their lyrics.
just wait for their new joint
Kriss Kross, the homies that rocked their gear backwards, are back soon with a tight new record, aight???check the trax my jiggaz...
1 sippin on sumfin (wif jah rule)
2 black 2 back (wif King T)
3 try dis ish (wif paperboy)
4 my enemy, my destiny (wif destiny's child)
5 lotsa drama fo yo mama (wif mary j)
6 i getz bizzy (wif barry manilow)
This Ablum was off the hook.
I have been a fan of yours when yall first LP. I hope to hear more from you in the near future. Thanks for sharing your talent.
A damn good album.
So what if this record only has 8 actual songs? Big whoop. It's still a good recording. The best track on this record is "Live and Die for Hip Hop," in which marijuana and a microphone are combined in a simile-like fashion (Roll me a mic and let me smoke until I'm high). Never before have I heard a xylophone used in rap, but Chris Kelly and Chris Terry pull it off in amazing fashion. Gotta love those braids!
Four years after "Jump"-ing their way into a hugely successful kiddie rap ride, it was clear the two Chrises who make up Kriss Kross (17-year-old Chris Kelly and 16-year-old Chris Terry) were only as young, rich, and dangerous as their writer, producer, and mentor, Atlantan Jermaine Dupri, wanted them to be. Still calling all the shots--even penning most of his young proteges' raps about themselves--Dupri's third Kriss Kross album attempted to lay the groundwork for the teens' entry into a prosperous hip-hop adulthood.
Though Young, Rich & Dangerous offers a slim eight songs and only about a half-hour of music, Dupri makes good use of his time with a mellow keyboard-laced and bass-heavy groove so smooth it credibly recreates Dr. Dre and Snoop's original west coast G-funk with a (mostly) PG-13 attitude. A handful of the cuts, including the title track, "Live and Die For Hip Hop," and especially the hit party single "Tonite's tha Night," glide on the hooks and melodies created with help from Trey Lorenz's and Aaliyah's R&B vocals and guest-raps from pint-sized homegirl Da Brat. The boys of Kriss Kross do their part by delivering a postpubescent tag team flow that combines the swagger of youth with the surety of seasoned professionals. And with "Money, Power, and Fame" and "Hey Sexy"--two tracks the duo wrote, produced, and perform without Dupri's input--they even assert a small measure of independence. Not a moment too soon: For rappers now old enough to drive their own Mercedes, the time to speak for themselves has surely arrived. --Roni Sarig
