Don't Mess Around...
Definitely an album that stands a strong testament to the 80's. It was (without doubt) one of the best releases back then and by merit and achievement-- it could easily qualify as one of the top 100-Best albums in the history of all music and time. Simply because it rocks!I dig Alison Moyet's deep and dominating voice which shimmers perfectly along with Vince Clarke's semi retro rock, synth, electro and digital devotion. It's also not one of those outdated-sounding album's that sinks in its repetitive and minimal production value.
My favorites here are; Situation, Don't Go, Goodbye 70's and Bring Your Love Down (Didn't I).
I heard a rumor that this entire album would be remixed for the year 2004-- dare I say it's true, because-- How I yearn to see this album in remixed form today, especially when there are Soooooooo many great producers/dj's to choose from. I'll wait patiently until that day comes.
Go buy yourself this excellent Vinyl. It's got a bit a everything in it, and it's put together so well, with a really good voice...Those are 3 good reasons to buy this. Enjoy!
synth-pop ahead of its time......................
This album set the starndards for synth-pop music in the early 80's. Vince Clarke and Alison Moyet are fantastic togather. There are a hand full of sensational club hits such as "Dont Go", "Situation" and "Good Bye Seventies". The hit song "Situation" produced a type of synth-sounds that was far ahead of its time. E.C. Radcliffe and Daniel Miller did a magneficent job on the production. I have to admit that the departure of Vince from Depeche Mode gave some of us synth-pop freaks more great bands to enjoy such as Yaz and later Erasure. I also enjoyed "Bad Connection" and "Bring Your Love Down (Didn't I)" very much. I can never forget the fantastic passionate love song "Only You" that showed that the band is not just for the club kids and that they also have their soft side. Alison's voice is unique and sounds so amazing when mixed in with Vince's genius synth sounds. Although, this album is now 20 years old, "the hit "Situation" sounds to me like it was made yesturday. There are a few songs that did not seem like much talent or time was put into them like "I Before E Except After C" and one or two others, but over all this is a must have for all synth-pop and new-wave freaks.
Yeah Yeah Yaz.
This album seemed a bit ahead of it's time in 1982, or maybe more like a sign of that time. It's a great blend of pop, goth, electronica, and new wave, topped off with strong vocals from Alison Moyet. There's a few upbeat dance numbers like the excellent "Situation", "Don't Go", and "Bring Your Love Down (didn't I)". There's also the morbid track "Winter Kills". But most of it's just good synth-pop. Any big fan of early 80's stuff like myself should love "Upstairs At Eric's". That's why I have this on cd, cassette, and vinyl.
Masterpiece
The most exciting and enduring synthpop albums were made in the early 1980's in England, and this one is without a doubt one of the very best. The renewed interest of late in minimalist beats and simple synth production are a direct throwback to Kraftwerk. Where Yaz (Yazoo) improved upon the Kraftwerk formula was with the addition of a singer--and what a voice! I could sing the praises of this group all day. "Situation" quite simply defined dance music in 1982, and helped mark the transition from disco to the golden era of 80's "dance music." It has been endlessly sampled for a reason. If you like a rich, soulful voice over a spunky synth backing, by all means, get this album.
Catchy 80's Electro/Pop At It's Best!
Yaz appeared on the "New Wave" scene in 1982 with the hits "Situation", "Don't Go" and "Only You". Fronted by Vince Clark (ex-Depeche Mode) on synthesizers and an unknown female vocalist named Allison Moyet, Yaz (originally Yazoo) created catchy electro/pop. Yaz's debut album "Upstairs At Eric's" produced several huge club hits with "Situation" (here in it's entire "Club Mix" version), "Don't Go" and the moderately successful "Only You". The first two songs are synthesized discoish club tunes with strong vocals courtesy of Moyet. Club jocks pumped these songs thru their sound systems to packed dancefloors (I know cause I was one of the jocks that spun both these tunes, sometimes several times a night) worldwide. But the album also had other great songs such as "Bad Connection", "Goodbye Seventies", and "Bring Your Love Down (Didn't I)" to name a few. If you enjoy artists such as Soft Cell, Depeche Mode, New Order, Human League, Heaven 17 and Ultravox then this cd is a must have. Highly Recommended!
There was a time when you couldn't step into a dance club without hearing at least part of this recording booming over the sound system. The often over-played hit, "Situation," was a bubbling caldron of nasally synth noodlings, a whopping bass line, and drum machine wallops. Alison Moyet's looped laugh in the middle of the song ended up as a sample, over-used a thousand times over. Yaz was an interesting blend of Moyet's smoky blues and jazz tinged vocals with Vince Clarke's digital disco. Moyet's voice alone was instrument enough, and the melodies here perfectly showcased her incredible range. Upstairs easily moved between energetic dance floor exuberance ("Don't Go" and "Good-bye Seventies"), blues-inspired wailers ("Midnight"), and icy electronic minimalism ("Winter Kills"). It was an explosion of a debut, touching upon '80s gay disco, synth pop, and diva-ism in one fell swoop. The CD closes with the overlooked "Didn't I Bring Your Love Down," an infectious barn burner with a call/response break that blows the roof off of Eric's little techno-pop room. --Steve Gdula