g dep, mark curry, cheri dennis, loon, kain, bad azz ko and all the other rookies on this album are well accepted. they all have tight lyrics and amazing flows. i have to say g dep steals the show on every single song that hes on. mark curry & loon also show amazing promise.

its diddy who is the real show stopper here. he outperforms all the artists on his album. his solo track "diddy" is easily my favorite. he raps the truth and really gets fancy over the sickest neptunes beat since kelis's smash hit "caught out there".

the best tracks are "the saga continues", "bad boy for life", "thats crazy", "lets get it", "blast off", "on top", "wheres sean", "child of the ghetto", "so complete", "if you want this money" & "can't believe".

the only bad boy veterans on this album are carl thomas, faith evans and black rob and they all perform to perfection. so when critics say that bad boy is going down cuz they lost biggie, mase, lil kim, the lox and craig mack need to check themselves. all the new artists can fill the positions left behind for them. this album is tight.

No, No
This album has to be one of the worst recordings of a time. Puffy used to be rap, but ever since '98, he has been 100% pop. If you want to pick up some real east coast rap, then check out "Reasonable Doubt" by Jay-Z.
When they named the genre "rap" they forgot to keep the "c" on.
Please....spare me with your money and your problems.

NO!
The Saga Continues for the Bad Boy Family.This CD includes the
smash hits,Bad Boy For Life,I can't Belive.
Emerging quickly from the aftermath of Sean "P. Diddy" Combs's New York-club shooting trial is the optimistically titled The Saga Continues, a compilation masquerading as Combs's third solo album. Though he was found not guilty, the incident is clearly very fresh in the Bad Boy CEO's mind. On the mic, he vents about the criminal justice system and player haters, and he also dedicates a thinly veiled verse to his ex-girlfriend, Jennifer Lopez, on "I Need a Girl." The only thing that's changed about Combs since his last outing is his name (from Puff Daddy to P. Diddy). On the mildly gritty "Bad Boy for Life," he raps "Don't worry if I write rhymes / I write checks," and the wholesale musical swipes of the past are just a little subtler now. The Neptunes-produced "Diddy" pilfers from Rakim, Boogie Down Productions, and Nice & Smooth, and even recent Bad Boy product is fair game, as Black Rob's "Whoa!" is recycled on "That's Crazy." Most of the rest of the production and vocal contributions here come from a mix of loyalists and newcomers, and predictably wallow in mediocrity. Aside from Faith Evans and Carl Thomas ("Can't Believe"), on this album's evidence, the Bad Boy Family is now pretty nondescript. The loss of key franchise players over the years to death, departure, religious conversion, and prison means Combs and his label will themselves need an equally drastic turnaround to scale their previous heights. --Del F. Cowie