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ALBUM: Ridin' Dirty Lyrics
By:
UGK
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Diamonds and Wood
Good Stuff
One Day
Ridin' Dirty Reviews
Must-Have for Any Music Collection
In my mind, this is hands down the greatest rap album of all time. This is such an amazing album, from top to bottom... not a single mediocre track on it. It's a damn shame not very many people know about UGK outside of TX, but I have a feeling all that's gonna change in the near future. This album was put out 7 years ago, and it's still 100 times better than a lot of the whack stuff being passed off as rap these days. Seriously, it's almost excruciating to listen to 99.9% of hip-hop put out 7 years ago these days, but not this one.... just buy the cd and you'll see. Matter of fact, you need to get all of UGK's albums, but if you can just buy one, this is definitely the one to get... trust me.
One of the Top Ten Albums of all time
This album ranks up there with Nas's Illmatic, Jay-Z's Reasonable Doubt, Dr. Dre's Chronic, and the first three A Tribe Called Quest Albums. Ridin' Dirty is so smooth and it still bangs in my ride and this album is 7 years old. The best songs are "One Day," "Murder," "Pinky Ring," "Diamonds & Wood," and my personal favorite along with track 5 is "Hi-Life" because that song is so real. These are no sugarcoated, powder puff rappers that you hear on the radio. UGK is too real. Get UGK's entire collection because they never put out a wack album. Even their "Side Hustles" album which is more like a guest appearances greatest hits is their worst album and that's bangin'.
COT DAMN! CLAZIK!
Delivery B+
Lyrics A+
Production A
Style A+
Consistensy A+
Overall A
For Sure the Underground Kings
These boys do it right! I have never had a rap album that has been this good for this long. I can listen to this album all the way through. Its amazing that they made this album in the early 90s and how it still remains ground breaking. MY ALL TIME FAVORITE RAP ALBUM EVER!!!
Quantum Meruit
Not since jam master Slicey Dice proffered unalloyed alluvial capacities in his 1989 masterpiece "Eat Da Meat, B*tch!" has the music industry heard anything quite like this reticulated casus belli, wherein slap master F*cky G takes a long, hard look at society's natatory polymorphism and decides he doesn't really dig it after all. Well, my good man, it's too friggin late. You should have thought of that before accepting their well-marked enjoinment. Now you're stuck with it...which means we're stuck with it, too. Take, for egregious example, his gallinaceous ballad "Crack *ss 2 da Mouf" (track 27) which consists of little more than simple anfractuosities congealed by means of elementary thematic groups, which in turn are assuaged by reiterated expositional functions of the most sartorial kind. Hardly the stuff of revolutionary import that the foolish reviewer from Toledo (see below) keeps proclaiming, against all auditory evidence. Maybe if F*cky G would listen to how a real master does it, he could come up with something worth fortifying. (Hint: Listen to street genius Spunk Man P for clues as to how it ought to be done. For all his rash and irreverent dicta, Spunk Man's got the genuine goods. His persuasive manipulation of rhythmic shift, dynamic contrast, and best of all, intermotivic correspondence are worthy of Webern himself. And that's as high praise as can be offered to mere mortal man!)
All in all, it's just another sick in the stall.
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