One of Rap's darkest albums...
E.L.E. is arguably Busta's best album. With a concept (the end of the world) that is unheard of in mainstream/conventional Rap/Hip Hop, Busta schools us like a psychic history teacher. If you take one look at the cover of the album and then remember the recent events of the past couple of years, you'll know what I mean. From the diabolical Intro AKA There's Only One Year Left!! where destruction and peril is foreshadowed, to the dark and disturbing Outro AKA Burial Song, Busta has hit us with a concept album which usually hurts careers more than it helps, and pulls it off with flying colors. The tracks are generally hard hitting with lyrics that peirce and cut and sting, and typical Busta Rhymes production (you know when you hear a Busta Rhymes' song) to damage you car's audio system. A definite must have for any Busta fan, because it really shows that he is one of Rap's best.
Best tracks (to me) are:
2. Everybody Rise (an Earth and speaker shattering track)
5. Tear Da Roof Off (Old School meets Busta Rhymes)
7. Just Give It To Me Raw (Oriental flavor, good track)
8. Do It To Death (crazy beat)
10. Gimme Some More (My favorite Busta track ever)
11. Iz They Wildin' Wit Us...(if you want to get a party hyped and hear some crazy air tight flows... this is the track for you)
13. Do The Bus A Bus (a good song to ride to)
14. Take It Off (Latin music meets Flipmode)
15. What's It Gonna Be (Janet really enhances this song)
17. What The F--- You Want!! (another crowd hyping song)
19. Burial Song (Outro)(what I listen to when I feel... upset)
Basically, Busta has lost his mind.
Busta has done it again!!
Busta Rhymes, a prince of Hip/Hop Music, has come up with a new album that strikes his fans as his most creative one yet. Fans have heard of "The Coming", "When Disaster Strikes" and his great CDs. Now we welcome, "Extinction Level Event". The thing about Busta Rhymes that makes him so great is the flow of the way he brings the music to you and the wonderful and creative beats he uses in his compositions. He may have a reputation to look crazy with those dangling dreadlocks, but still it's just the way he uses music that makes his music sound so good. This CD features guests like Janet Jackson, Mystical, and Ozzy Osborne along this time as guests, as well as the Flipmode Squad. The song with Janet is the best collaboration with Rhymes on this CD. Give this album a try and trust me Fans and Non-Fans of busta won't be disappointed at all. He just has the powerful energy of a super hero! If you weren't into this kind of music before, you will be now!
Busta Rhymes - E.L.E.: The Final World Front
This album is where Busta was starting to fall off. "Tear the Roof Off" was an excellent song and so was the song with Mystikal, "Iz They Wildin' Wit Us...". I didn't like that Janet Jackson crossover song, "What's It Gonna Be??!?", at all and that Ozzy Osbourne "War" song really messed up a good "Iron Man" sample. Busta was in the midst of releasing albums and/or songs every year, starring in Mountain Dew commercials, and guest-starring on TV, movies and rap/R&B songs. People were starting to get sick of him.
four years after the end of the world, and still great rap
Nowadays, it seems that all you have to do to make it in the mainstream rap circuit is to know somebody, or at the most extreme get shot for street cred. I'm sorry, but suffering bullet wounds doesn't make you a gansta anymore than wearing a bun on your head makes you a delicious cheeseburger. Rap is about one thing: words. And in that kingdom, Busta rules over all.
The whole cd is a concept album, focusing on the "cataclysmic apocalypse" which will show itself at the turn of the millenium, and Busta is there to narrate us through it, from the disturbing narration in "Only One Year Left" to the hope that comes with "The Burial Song". And in the middle is an incredibly solid rap album. I wouldn't venture so far as to say it was the best album ever, but could be the best in mainstream rap. A lot of the tracks aren't particularly special, but even those are good for blasting in your car ("Just Give It To Me Raw", "Everybody Rise").
Generally, the best tracks are found in his collaborations. In "Against All Odds", he works with the Flipmode Squad and a killer sample to make one of the coolest gangsta tracks this side of Method Man. Mystikal joins in for the pumped up "Iz They Wildin Wit Us", Ozzy lends his voice and the tune of "Iron Man" to the powerful "This Means War", and Janet Jackson teams up with Busta for "What's It Gonna Be", the ultimate grind track. But Busta's real talent is working alone, and writing the fastest rap out there. The big single, "Gimme Some More" is still incredible after hearing it edited on the radio a hundred times, and "Where We Are About To Take It" is Busta at his best: raw, rhythmic, and cooler than you'll ever be.
Save Your Money and Just Buy The Bus A Bus Single
Most of the songs are plain and both the good ones were released on single. Save your money and buy the singles or a CD you will actually like more than a couple tracks on.
He's one of the most distinctive MCs around--he's taller, has funkier dreads, has great taste in samples (the Knight Rider theme), has a sense of history ("Woo Hah!! Got You All in Check" comes right from the Sugarhill Gang), and ooh, that growl. Ever since his days in Leaders of the New School--let's trace it back to his contribution to A Tribe Called Quest's classic posse cut "Scenario"--Busta's brought something special to the party. It's all there on Extinction Level Event: there's the Armageddon concept, the guest stars (Janet Jackson, Mystikal, Ozzy Osbourne), and a great soundscape to frame Busta's raps. Still, it feels like something's missing: there's no huge standout hit; the production, in the hands of someone like Timbaland, could be even better; and Busta's raps often feel like he's relying more on that voice rather than writing anything new. But it's hard to fault someone who, even with all his success, includes a skit where the B-boy gets reprimanded with the line, "Look, you played-out player, I don't need you--I got a vibrator." --Randy Silver