Essential Harry
I like Harry Connick's big band work, and even some of his more experimental pieces, but this is essential Harry. I was born and raised near New Orleans, and good jazz and blues were standard fare for us growing up -- other people had nursery rhymes;we had Jelly Roll Morton and Satchmo. This album is vintage jazz/blues -- all you need to add is a smoke filled room and someone to snuggle with. It includes the classic "Do You Know What It Means to Miss New Orleans" featuring the inimitable Dr. John, making this Crescent City favorite a standout piece. Mr Connick takes several standards, like "Avalon" and "Blue Skies" and makes them his own, using amazing piano work. His version of "If I Only Had a Brain" is almost tear jerking in its heartfelt halting phrasing, while "Imagination" is bautifully done -- you can hear the longing and insecurity in his voice. This is the album you want to slow dance to next to the fireplace with your one true love. If I were told I was going deaf next week, this would be the last album I would listen to, to imprint its rich and yet sparingly simple tunes on my memory.
IT WAS VERY DISAPPOINTING. IT COULD HARDLY HAVE BEEN MORE
AMATEURISH. IN MY OPINION, HE IS AN OUTSTANDING ARTIST. IF
I HAD HEARD THIS CD PRIOR, I WOULD NOT HAVE CONSIDERED
PURCHASING IT. ALTHOUGH THE PIANO IS PLEASANT, THE VOCALS
ARE AWFUL.
20 Out of 10!
This is still one of my favorite albums from Harry Connick, Jr. My other favorites are Songs I Heard, We Are In Love, and When Harry Met Sally. For me, Harry sounds best playing a New Orleans swing sound, rather than the fusion and guitar stuff on his later albums. Harry is at his best when he sounds more like Louis Prima or Louis Armstrong, two of my all time favorites for the genre. I wish he would recognize that he has a fan base that looks to him for this kind of music.
I recently saw Harry at Wolf Trap in Vienna, VA, and he put on a great show, although he did linger a bit too much on some of the guitar based stuff. I can listen to anybody play guitar, but no one can play good jazz and make it swing like Harry - when he wants to!
How to Make a Woman Delirious in 5 Notes or Less
I got this album when I was 14, more than a decade ago, and is still one of my top 3 favorite albums ever. It is my desert island album.
Harry makes playing the piano sound easy, as if the music just happens when he waves his fingers over the keys. The lyrics pour out effortlessly, melting from despair and sorrow (If I only Had a Brain) to longing (Do You Know What It Means to Miss New Orleans) to playful indifference (Do Nothing Till You Hear From Me). The man is simply a musical genius. And he did this when he was twenty!
This is classic old New Orleans - as if you wandered into a sleepy Bourbon Street bar after hours in 1940. Just thinking about it makes me woozy for a strong shoulder to rest my head against as we slowly sway across a small dance floor in a smokey club.
You don't even have to like jazz to love this album. After one listen, I bought everything else he had, then went through my dad's old Sinatra albums.
Buy this album or spend the rest of your days knowing you have no appreciation for the finer things in life.
Hear Where It All Started
In 1988, Columbia Records took a chance on a kid from New Orleans named Harry Connick Jr. And very soon into the album you'll understand why. His blend of good ol' New Orleans jazz and ragtime in "Avalon", will make your jaw drop. His rendition of "Blue Skies" sounds like it is impossible to play but easily rolls off the keyboard. His carefree style is refreshing and relaxing. It gives you the same feeling as sitting on a porch or by the pool with a tall glass of lemonade on a hot, lazy afternoon. The third track, "Imagination", introduces us to the voice that drove crowds to the record stores to pick up "When Harry Met Sally".
One of the standout tunes on this album is "Do You Know What It Means To Miss New Orleans." On this tune Harry is joined by one of the greatest Creole musicians, Dr. John. Not only does the good doctor lend his singing talents to this piece, but he also gives a soulful organ solo.
For those of you who love Harry's big band sound, I'm warning you, you won't find it here. It's just Harry on piano joined by Robert Leslie Hurst III on bass. But even without the big band, this album is a winner. Pick up this album, sit back, relax and enjoy.
Recorded while he was still a 20-year-old piano bar junkie in New Orleans, Harry Connick Jr.'s second album sweeps along with a stripped-down, heartfelt flair. This set of mostly unaccompanied piano and vocal music tracks features a variety of jazz standards, often pointing to Connick's Southern heritage. It's no coincidence that the best of these, "Do You Know What It Means to Miss New Orleans," features a slow, sweaty organ solo from Dr. John, guest-appearing here with several other jazz veterans. The presence of such luminaries grounds the young man, producing some of the best work in his entire catalog. Consider the vocal he shares with Carmen McRae on "Please Don't Talk About Me When I'm Gone." The song springs to life on McRae's entrance, and Connick delivers a smooth duet around her familiar vocal colorings, tickling rich accompaniment from a dusty piano. The whimsical quality that Connick often brings to his work is here also, most notably in a touching rendition of "If I Only Had a Brain." Imbuing the Tin Man's lament with low, quiet chords and a warm, vocal treatment could seem silly in another artist's hands. Connick reaches just a little lower and finds the melancholic heart at the song's core. It's a fittingly personal take, from a young man looking to fulfill his own promise and discover his own voice as a musician. --Matthew Cooke
This album seems like it came out a lifetime ago. Connick was destined to become the next James Booker/Thelonious Monk, not a brand-new Frank Sinatra. He arrived in the late 1980s like some kind jazz purist's savior on horseback, only to disappear beneath a stack of overamped blues/funk/rock records and one overrated soundtrack disc. His second disc is easily his best. Less affected, this is more the sound of a talented young man willing to listen to such elders as Dr. John and Carmen McRae, who make welcome cameos here. --Robert Wilonsky
